Tag Archives: Baby Eagle
Daniel Romano, Baby Eagle, and Will Kidman at The Shop, Toronto
11/07/2010
So last night I visited Toronto’s newest venue, The Shop, located underneath the restaurant Parts & Labour in the heart of Parkdale. I remember last fall when I started hearing people talking about a new restaurant, an offshoot of Oddfellows and The Social, opening up at Queen St. W. and Sorauren Ave. that was going to have a small “punk” venue in the basement. I’m always happy when bands have new places to play, but I was mostly excited to have a venue opening up so close to my apartment (Toronto’s west-end is severely lacking in rooms to see bands I like play). The venue now known as The Shop finally opened about a month or so ago and I meant to check it out sooner but I’m glad I waited until a show I really wanted to see popped up, as was the case on Sunday night.
Will Kidman opened the night with a quick set of songs that have yet to appear on any of his albums as Woolly Leaves (I’m still not sure if he’s playing under that name anymore). I captured some video but I had a feeling, perhaps because he was still reading the lyrics off a sheet, that a lot of the songs were still being developed and I don’t like to put stuff on the internet when it’s still being worked on. You know what I mean? Maybe it doesn’t matter. Anyway, I thought all his songs were among the best he’s written, and his cover of Neil Young’s “Shots” (which he also covered in the Constantines on their 2006 split 12″ with the Unintended) was particularly cool to hear.
Next up was Baby Eagle (Steve Lambke, also of the Constantines) who brought a full band with him, which I believed he dubbed “The Proud Mothers,” composed of three quarters of Attack in Black (Spencer Burton on drums, Ian Kehoe on bass, and Daniel Romano on acoustic geetar). It was a fairly similar set to the one I witnessed back in March at The Horseshoe when he opened for Daniel, Fred & Julie, which was fine because it gave me a second chance to hear all his new songs. My verdict: I like ‘em! While not too much of a departure from the rest of his material, with song titles like “Fisherman or Fish” and “River Bank Sitter,” moving to the East-Coast definitely seems to have informed his lyrics, at the very least. He has a new record called Dog Weather coming out soon on You’ve Changed Records, but it was available at the show last night! I listened to it today!
Daniel Romano was last up, armed only with his trusty acoustic and Bruce Peninsula‘s Misha Bower singing in harmony – the same formation I saw just over a month ago at his album release show at The Dakota Tavern. It was nice to see a lot more people come out to Sunday’s show, the record seems to be picking up steam and there were a lot of people up front listening attentively, but enough people towards the back of the room talking loudly and playing foosball made for a worse experience than at The Dakota. That’s okay though, there a plenty of other venues in the city that are better geared towards folk music. I think The Shop will be a good place to see louder music, when a little bit of chatter isn’t such a distraction.
Now that I think about it, are there any good places to see quiet music in Toronto? I mentioned The Dakota before, but even that place gets loud when there enough people there. I guess the only time you’re going to find a quiet room is if it’s a large venue and people have paid a lot of money to be there (Massey Hall for example). Any bar with a cheap enough cover is going to attract people who aren’t there for the music, and that’s okay. I feel fortunate enough that I can even see musicians I like on a weekly basis playing rooms that I can afford. What are your thoughts on this subject?
Daniel, Fred & Julie, and Baby Eagle at The Horseshoe Tavern, Toronto
15/04/2010
Last Thursday I went and saw Daniel, Fred & Julie play at the Horseshoe, the perfect venue to hear them play their gentle folk songs. Last fall when I first caught wind of this project, I immediately knew I’d love the record. It’s no secret that I’m a huge fan of the music these three people make, so to have them team up for a record had me pulling out my wallet faster than you can say “Sackville.” Truthfully, it made sense for them to join forces: Julie played in Fred’s old band “Shotgun & Jaybird,” and when that band broke up, ex-member Shotgun Jimmie recruited Daniel’s band Attack in Black to be his backing band. Attack in Black’s album Years featured guest vocals from Julie Doiron, who in turn covered two of Fred’s songs on her last album.
Are you with me still? If so, please enjoy their song “Runner” from their self-titled debut record, out now on You’ve Changed Records.
Opening the show was Baby Eagle. What’s there to say about little ol’ Baby Eagle, other than it’s the project of the Constantines’ Steve Lambke, and that he’s great? I guess the first peep I ever heard from him was the last track on the third Cons album (Tournament of Hearts), a ditty called “Windy Road.” It had Steve singing, but instead of the usual scrappy punk song we got a pleasant acoustic number. It was an album highlight for me, so I was happy when he started playing solo shows later that year. Two quick albums in 2006 and 2007 followed by a split with Attack in Black late last year brings us to today. I’m sure we’ll be hearing more from him soon – his setlist was all new songs, and it looks like he’s going electric.
You’ve Changed Records
One hot summer in 2004, I took the 30-minute stroll from my house in Oshawa to Star Records downtown. I had to return ‘White Light, White Heat’ because the record was warped. Mike, the owner, said he could give me store credit. I looked behind the counter and spotted the Constantines‘ second album ‘Shine a Light’ amongst the bootlegged concerts and dusty DVDs. I’d seen them play a few weeks before in Toronto, and had been listening to the same few songs (Blind Luck, Seven AM, Long Distance Four, Arizona… maybe one or two others) on New Music Canada for months, so it was time I bought one of their albums. From the opening blast of National Hum to the closing stomps of Sub-Domestic, my teenage brain was blown.
A few years later now, late 2006, I head to the Velvet Elvis to see Julie Doiron play. At this point I’m not really a fan, I’ve only heard a few songs, but I knew she was one of the bigger acts to play our town so I went. Also playing was some band called Shotgun and Jaybird. No clue who they are really. I’d played one or two songs on my radio show to promote the concert, but didn’t know their story. Opening up the show was Will from the Constantines solo, so that gave me another reason to go. Anyway, Shotgun and Jaybird went on and I fell in love with them. It’s true. It was one of the sweetest sets of music I’d ever seen. Their whole approach to playing was so charming. The way the different band members interacted, how they spoke to the audience, the way they played their songs, all so fantastic. They had two CDs for sale that night – an EP and their new full-length album. I bought them both and still listen to them regularly, they never get tired. The band split up a few months after I saw them, and it was sad at first, but they’ve all gone on to make great music in other capacities. Plus, they left me with one great show and a perfect little discography.
I’m not sure when I first met Steve Lambke. I think I met him with my friend Mitch at Lee’s Palace seeing the Cons when Mitch got him to sign his show poster. However, the first time I really spoke to Steve was when he played solo in Oshawa at this old bar, Catch 22. Not many people were there, so I took it as an opportunity to go speak to him. Steve plays in the Constantines, so naturally I wanted to have a few words with him. He was very friendly to me, and when he played he even dedicated one of his songs (Windy Road) to me! It was a great feeling to know that guitar player in my favourite band is a nice person.
That night Shotgun and Jaybird played the Elvis, I was able to chat with all of them for a while. One of the band members, Jimmie (aka. Shotgun Jimmie) told me about how he was originally from the Durham Region but now lived out east in a town called Sackville in New Brunswick. I may have mentioned how I’d been to Sackville once before, when I was a young kid. Anyway, Jimmie and I kept in touch on the internet, and I learned more about his town of Sackville and about the music festival him and the other folks in Shotgun and Jaybird had just started the previous August called SappyFest. A year or so later when Jimmie was releasing his solo album, he went so far as to hand deliver me a copy in Oshawa! What a great guy!
Last Spring I was in my last semester of College. It had taken me three years but I’d finally made a good friend in my program named Dale. I think the only reason we started talking was because I noticed he was listening to the Weakerthans one day. Nevertheless, we quickly became friends and started sharing music. One of the first bands Dale got me into was a band I’d heard of but had never listened to called Attack in Black. He let me have their album ‘Marriage’ and I enjoyed it enough on my first listen, but I couldn’t fully connect with it at that point. It wasn’t until a few weeks later when I went to go see the Constantines that their music really made a connection. You see, Attack in Black opened up that show and I was front and center (I had to have a good spot for the Cons). I was still on the fence about them at that point, but seeing them play made me a fan. I thought their songs sounded way better live than on the record, and they were really great performers too. Since then I’ve gotten their second album ‘The Curve of the Earth’ which has become one of my favourite albums.
Everything came together this past August. I finally made it out to Sackville for SappyFest. I camped out in a tent on Jimmie’s farm. The night I arrived there, there was a big campfire. That’s when I realized Steve was also staying there, as were the guys in Attack in Black, so I got to meet them. That whole week was amazing, and it made me appreciate all these individuals so much more. I feel lucky to know all of them, as they all make music that really means a lot to me.
I started writing this post simply to tell everyone about the new record label they’re starting called You’ve Changed Records. They’re releasing Jimmie’s new album ‘Still Jimmie’ on March 10th, and an Attack in Black/Baby Eagle (Steve’s solo project) 12″ on April 14th. I’m so goddamn excited. Go to their website and listen to Mind Crumb.